May 19, 2012

Old Hotel Art Gallery: Featured Artist for April is Cyberart509

For the month of April, The Old Hotel Art Gallery is featuring an art club from the tri-cities, called Cyberart509.  This artist group formed by way of the internet and area code, are a group of very talented artists that have come together collectively to show their talents.  The participating artists are as follows: Greg Ashby (Sci-Fi Artist that just painted a mural of a ghost in one of the windows at The Old Hotel), Patricia and Pat Fleming(Pat has had his art displayed at The Old Hotel for many years and continues to teach art classes), Margo Fox, Fred Fraser, Deb Kasparek, Julie Kerr, Jeremy Mahaffey, Delia Morgan and Ede Johnson.  The styles, media, subject matter and design are all different well worth coming to see.  It is going to prove to be a bang up good show for the spring.

MAC Free Family Saturdays

The first Saturday of every month, between 12 noon and 2pm, the Moses Lake Museum & Art Center (MAC) sponsors a free family activity or special program.
Free Family Saturday is fun for the whole family, and is open to all ages. Activities fill on a first come first serve basis and run until supplies have been exhausted.

April 7th
TREASURE BOXES!

May 5th
BUBBLE ART!

June 2nd
LUAU!

Time: 12:00 – 2:00 pm
(until supplies are exhausted)

 

Moses Lake Museum & Art Center
401 S. Balsam Street  • Moses Lake, WA 98837

Museum admission is always free!

Contact: Ann Golden
www.mlrec.com
agolden@cityofml.com • 509-764-3825

Soap Lake Art Museum Opening

March 3, 2012
7:00 pmto8:00 pm

Photography by Brent Blake

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Artist reception/party at SLAM (Soap Lake Art Museum)

Saturday,  March 3, 2012

7-11pm

410 Main Avenue E, Soap Lake, WA

Contact Brent Blake for information, appointments and hours, 509-855-6131.

A message from the new Quincy library

by Roxa Kreimeyer

For the love of reading and enjoying art

Quincy’s new library had its grand opening on January 19.  Though a heavy snow fall kept some out of town artists and others from coming, it was well attended.  The architect, Brad Brisbine and his wife, Julie, from Wenatchee braved the roads.  The architectural design of the library has made it one of the finest buildings in Quincy. Not only is it spacious, but it has a lovely sun room for quiet reading, large open segregated areas for different activities such as computer work, research, writing, reading, etc., a meeting room, a large workroom, an art gallery for exhibits, a youth area (for youth only) and a marvelous area for young children. In the latter is a huge underwater mural of fish and other oceanic wonders painted by Kim Bacon of Quincy.
For Schiree Ybarra, head librarian, this is a dream come true. She has been librarian for 17 years. The former library was over-crowded with patrons and materials.
The library had graciously shared its small space with the Mary Kazda Art Space since 1994.  It was for exhibits of art work.  The new library boasts a well lighted art gallery plus a permanent art collection which is throughout the library.
The permanent art collection has resulted in over 20 works of art which will remain in the library.  There are photographs, paintings, sculptures, fabric art, and a representation of a variety of media.  An important piece is the painting by Brad Brisbine of a geologic wonder of the area which he painted especially for the library. He donated the painting to go above the fireplace in the quiet area opposite the sun room.
Other artists include Luci Zamora Anderson, metallurgist, whose 4 X 4 metal tree hangs high up on a wall.  Alan Bowman, donated his metal sculpture of a man reading made from farm machinery parts which was made especially for the library.  Also, on loan, from Mr. Bowman, is his an engine with movable parts.  Brent Blake’s painting is of a four piece abstract and another is a fun collage of paint chips;  James and Mary Bennett, donated three photographs.  Two are of the old Quincy church at the museum. The first is an outside view and the second is of the interior of the church.  There is also a Bennett photograph of a view over looking  Quincy with a natural foreground;  Lynn Brown’s has two paintings.  One is  an expressionist painting  of Quincy corn and the other is a donated pastel of a storm over Quincy; Jennifer Doncaster, donated  three nature pictures, a peacock head, a buffalo and a snowy owl.  Danna Dal Porto has three large paintings. Two are mixed media with papered texture. A large crane by Dal Porto was  donated by Pam Toevs; Katherine Downing’s oil “The  Laborer” is done with a palette knife. Pam Toevs also donated a large watercolor floral piece by Shatsuko Hamilton (deseased);. Nona Hengen’s oil painting of six draft horses was donated by Jack Tobin;  Martha Flores is the  sculptor of a mother and children and a larger one of a Hispanic farmer with his produce. The latter will soon be delivered for the special niche. Debby Kooy donated her watercolor of the gorge at George: Jan Cook Mack’s expressionist oil painting “Jack’s Tractor” is of a Quincy farm scene; John Marshall, has three photographs of the area. Two are of farm lands. Another shows a natural foreground with a  distant view of the Vantage Bridge.  Charleen Martin’s painting is a mixed media which includes the moon and flowers.  Consuelo Soto Murphy, has two paintings of Hispanic culture which show children reading in a field and a four generation family making tortillas. These hang on either side of the niche and were commissioned for that space.  Moises Napoles donated his watercolor of Mt Shuksan.  Wesley Nelson’s recycled art, “Dart Face” was donated by Brent Blake.  Don Nutt’s  large oil painting is of the sighting of the first white men by Native Americans.  The area is what is near the Okanogan.  It was donated by Roxa Kreimeyer.  A watercolor by deceased artist, Joyce Peterson, is of Crescent Bar after the flood.  It was donated by Bill and Kay Judge.  A photo of the old church with windows lighted at 2011 Christmas time by Gar Pilliar was donated by him along with a small painting.  Diana Sanford’s  pastel is of Quincy winter grasses by a lake. A framed fabric wall hanging by Lisa Silk shows  children of different ethnic origins having fun. A Weiler painting of Lenore Lake (1948) was donated by Keith and Candy Houston in memory of Ida Stepon Houston. ( Louis Weiler, 1893-1975, lived in Quincy for many years and painted numerous pictures of local scenes. )
The art committee, Pam Barrow, Roxa Kreimeyer and Pam Toevs are very grateful for the generosity of the artists.  All art was purchased with a discount or was  donated.  Artists are either from Quincy or nearby communities.
For the very first exhibit in the new art gallery, high school students and junior high students from the Quincy School District, were asked to show their work.  Teachers are Lauren Kucera and Lisa Silk.  The students’ art drew much attention and admiration at the Grand Opening on January 19. The high school students were learning, many for the first time, to use charcoal and watercolor. The junior high students depicted different forms of ancient communication using media of their choice.
A catered buffet in the meeting room was enjoyed by all who attended and a trio of musicians entertained guests near the fireplace which is opposite the sun room. They were Dyan Solders and Tammara Green on violins and Rachel Pinkerton on harp.  All reside in Quincy.
The library is located at 208 Central Avenue South at the north end of the business district. For more information call the library at 787-2359.

Tom Seward: The Old Hotel Art Gallery Featured Artist for August

The Old Hotel Art Gallery, is pleased to have Wildlife acrylic artist, Tom Seward from Coulee City, WA as this months featured artist. Tom’s work is breath taking in the detail and accuracy of each of his canvas paintings. Tom is able to capture the inner spirit of each of the fish, birds of prey, even the landscapes or any other subject that he paints.

Tom moved to Coulee City from Illinois and has concentrated on developing his skills as a painter. Tom says, “At first, it was difficult for me to see the natural art potential in the Northwest, because of the rich, fertile landscapes of Illinois and Kentucky as compared to the wide open spaces of the high desert with its barren areas and canyons. Now, I enjoy this scenery and I have learned to paint it and the particular desert light.”

For the last 30 years, Tom has been making fishing lures for Bass, Walleye and Salmon. Some of these are still sold commercially. He has also been a taxidermist since high school days. With these two vocations he is seeing the fish and wildlife up close to see every detail and accuracy that the lay person would overlook. “I like textures and details so this shows up in much of my work. I research everything to be accurate but adjust paintings with the consideration of basic art principles and the freedom to change in a composition”, said Tom.

Tom’s work is an absolute necessity to see, whether you are a lover of nature or not. His attention to detail has brought his paintings alive and well worth a trip to The Old Hotel this month.

 

Wheaton selected for BBCC Foundation’s Cellarbration! fund raiser

Wheaton's oil painting Vineyards on the Columbia will be used in Cellarbration!

The Cellarbration! for Education planning committee has announced Kim Matthews Wheaton is the featured artist for the 2011 event scheduled for May 21.

Wheaton’s oil painting Vineyards on the Columbia will be used in Cellarbration! promotion materials and posters. The original will be sold at the auction during the Big Bend Community College Foundation’s biggest annual scholarship fundraiser in the Masto Conference Center.

Known for her distinctive landscape paintings of wide expanses and dramatic coulees of the Columbia Basin, Wheaton has lived and painted here since 1997. She was born in New York City, and grew up in San Francisco, Berkeley, and parts of Connecticut. She earned a Bachelor of Fine Arts degree from U.C. Berkeley.

Wheaton sometimes works from her car, racing against fading light, weather systems and the whims of nature to capture the hues in her work.

“I was honored to be invited to create a painting for the BBCC Foundation,” said Wheaton, whose work already hangs in the entrance to the BBCC library.

“Acquiring a Kim Wheaton original oil painting is a great start for our 10th annual event,” said Sherry Keeler-Hull, Chair of the Cellarbration! committee.

Cellarbration! is a premium wine dinner and auction that has raised $610,000 in nine years for student scholarships. The event is known for pairing a five-course gourmet dinner with the finest Washington wines, combined with exceptional service and décor. “We want it to be the best dining experience in the Columbia Basin,” said Keeler-Hull. “That was the original goal, and it has worked well for us.”

Cellarbration! raises funds through cash sponsorships, ticket sales and auction items. The proceeds support scholarships for recent high school graduates, returning students, professional/technical students and for helping students cope with financial emergencies.

Back again this year is the “Bling” raffle for a one carat diamond from Harrison’s Diamonds and Designs. A new auction item is a one-week stay at an ocean-front time share in Hawaii. The event again includes another Leonetti wine item—a chance to bid on wines unavailable to those not on the winery’s waiting list.

The wines for the dinner are sourced by Butch Milbrandt of Milbrandt Vineyards—one of the state’s largest wine grape producers. Wine commentary is provided by John Allen of Vino! A Wine Shop in Spokane. The popular Chuck Yarbro, Jr. is the auctioneer.

The committee is in the process of soliciting sponsorships and auction items for the event. Those who would like to be involved can contact the BBCC Foundation at 793-2006 for sponsorship forms, auction donation forms or to make reservations.

Nature Beyond Beauty

Royal City High School student receives Regional Award

Two talented Royal High School students had winning entries at the 38th Annual ESD 105 Regional High School Art Show, held at Allied Arts of Yakima Valley’s Peggy Lewis Gallery in Yakima. Royal High School art teacher, Michael Holmes, submitted seven quality art pieces for this annual event. Margarita Rodriquez, a 10th grader at Royal High School, received the Regional Award for her ceramic sculpture titled “Nature Beyond Beauty.” Her artwork will advance to the Office of Superintendent of Public Instruction (OSPI) High School Art Show later this spring after being chosen among the 105 entries in this year’s regional show. Gabriela Sabalsa, an 11th grader at Royal High School received the ESD 105 Board Choice Award for her colored pencil artwork titled “Guardian.” Her entry was selected to be purchased for a cash award of $250 by the ESD 105 Board of Directors. Gabriela’s artwork will join 22 other pieces in a collection of past years’ student art on permanent display at the ESD 105 Conference Center in Yakima.

The 2011 regional show of paintings, drawings, photography, and sculptures included works by 95 students of 18 teachers from 14 regional high schools.

Welcome to the Old Hotel Art Gallery

Showcasing the work of Carrie Vielle

Carrie Vielle has been drawing and painting her entire life. She was born in Victoria, B.C. into a family and community immersed in the arts. Her family members include fine artists, photographers/film makers, actors, writers, musicians and composers – all of whom enriched Carrie’s arts education.

Carrie holds a BA in Studio Art and a BA in Art History from Eastern Washington University. During her last year of her undergrad coursework, Carrie took a life-changing trip to Europe and was able to experience the incredible art and architecture she had been studying for so many years. Shortly after finishing her Bachelor degrees, she started teaching art and design classes at a college in Spokane, Washington. Carrie fell in love with teaching and found it a talent she didn’t know she had. She returned to EWU and earned a MA in Art History in 2003. This time, her coursework took her to Nice, France, where she lived for two summers studying the language, culture and art.

In addition to art, Carrie works very hard to ensure that traveling will always be a part of her life. For the past nineteen summers, Carrie spends several weeks working as a tour guide for custom art and cultural workshops in Europe. One of Carrie’s most thrilling accomplishments came in 2004 when she was one of two Washington state college instructors awarded teaching positions in Florence, Italy, where she taught Art History and Drawing classes to American study-abroad college students. While living in Italy, Carrie toured the country studying the works of the Renaissance and Baroque Masters. “Walking past Michelangelo’s David everyday was the most magical, surreal experience of my life.”

Carrie has chosen the figure as her principle artistic subject. “I feel the nude is the most essential, meaningful way to represent the human form. It is when we are the most raw, vulnerable, beautiful and readable.” Carrie views the role of art as one of communication and connection. “My work explores the universal expressive language of the human body. Each of us has felt joy, sensuality, loneliness, melancholy, etc. I want viewers to see these expressions in my work and engage in a dialogue with the figures. By identifying with an image, and perhaps creating a personal story around the figure, the viewer might better understand that the human condition is shared, that we are never really alone.”

Throughout her education, traveling and teaching career, Carrie has been creating and exhibiting her work – developing the artistic process and style she creates with today. Her heavily textured and collaged backgrounds are intriguing complements to her fluid, graceful figures. Each work reveals a moment in time, figures seemingly at rest, yet filled with many potential stories.

Two years ago, after a very rewarding fifteen-year teaching career, she decided to pursue her artistic passions full time. Carrie’s work has been warmly accepted into national galleries and been included in international exhibits and collections.